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		<title>Harrison Haynes: Hard at Work</title>
		<link>http://nashermuseumblogs.org/?p=2101</link>
		<comments>http://nashermuseumblogs.org/?p=2101#comments</comments>
		<pubDate>Thu, 29 Jul 2010 01:47:18 +0000</pubDate>
		<dc:creator>Andrew</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Harrison Haynes]]></category>
		<category><![CDATA[Les Savy Fav]]></category>
		<category><![CDATA[Root for Ruin]]></category>
		<category><![CDATA[Superchunk]]></category>
		<category><![CDATA[The Record]]></category>
		<category><![CDATA[The Record: Contemporary Art and Vinyl]]></category>

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		<description><![CDATA[Durham-based artist/musician Harrison Haynes has been working hard this year. In addition to recording an album with his band Les Savy Fav, the artist has designed two album covers and collaborated with Superchunk's Mac McCaughan.]]></description>
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		<title>I&#8217;m hooked</title>
		<link>http://nashermuseumblogs.org/?p=2096</link>
		<comments>http://nashermuseumblogs.org/?p=2096#comments</comments>
		<pubDate>Thu, 29 Jul 2010 01:10:10 +0000</pubDate>
		<dc:creator>Juline</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[The Record: Contemporary Art and Vinly]]></category>

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		<description><![CDATA[I didn't think I could fall in love with vinyl.  I was wrong.]]></description>
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		<title>Waxing poetic on The Record</title>
		<link>http://nashermuseumblogs.org/?p=2030</link>
		<comments>http://nashermuseumblogs.org/?p=2030#comments</comments>
		<pubDate>Thu, 22 Jul 2010 20:42:41 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[News + Events]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[Dario Robleto]]></category>
		<category><![CDATA[Dave Muller]]></category>
		<category><![CDATA[Dave Tompkins]]></category>
		<category><![CDATA[Mingering Mike]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[The Record]]></category>
		<category><![CDATA[Wax Poetics]]></category>
		<category><![CDATA[William Cordova]]></category>
		<category><![CDATA[Xaviera Simmons]]></category>

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		<description><![CDATA[The August issue of Wax Poetics -- the record collectors' bible -- is hitting stands now. Inside is a six-page spread on the upcoming exhibition, "The Record: Contemporary Art and Vinyl" in which five artists from the show write about one of their favorite records.]]></description>
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		<title>William Cordova: Revolutionizing Vinyl</title>
		<link>http://nashermuseumblogs.org/?p=2032</link>
		<comments>http://nashermuseumblogs.org/?p=2032#comments</comments>
		<pubDate>Thu, 22 Jul 2010 20:41:00 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[Apollo]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[The Record: Contemporary Art and Vinly]]></category>
		<category><![CDATA[Wax Poetics]]></category>
		<category><![CDATA[William Cordova]]></category>

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		<description><![CDATA[The event captured the imagination of many young people all over the U.S.;  it influenced those who wanted to change the extreme climate of the day the best way they knew how, through music. Other fundraisers bringing together activists and musicians would soon radically revolutionize activism around the world. Examples that followed the April 24, 1970 fundraiser at the Apollo theater; the Mayday New Haven 8 Concert, the Concert for Bangladesh and the Concert for The People of Kampuchea, Live Aid, Farm Aid, etc.]]></description>
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		<title>Laurie Anderson: Expert</title>
		<link>http://nashermuseumblogs.org/?p=2007</link>
		<comments>http://nashermuseumblogs.org/?p=2007#comments</comments>
		<pubDate>Thu, 22 Jul 2010 11:26:25 +0000</pubDate>
		<dc:creator>Nasher Interns</dc:creator>
				<category><![CDATA[Artists]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[David Letterman]]></category>
		<category><![CDATA[Homeland]]></category>
		<category><![CDATA[Laurie Anderson]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[Only An Expert]]></category>
		<category><![CDATA[The Record]]></category>

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		<description><![CDATA[Laurie Anderson, supporting her newest record "Homeland," appeared on Late Night with David Letterman recently. The artist added an extra verse about the BP oil spill in her exciting performance of "Only An Expert," adding an even deeper and more contemporary political element to the incredibly mordant song.]]></description>
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		<title>The Three Gorges Dam and One Gorgeous Painting</title>
		<link>http://nashermuseumblogs.org/?p=1987</link>
		<comments>http://nashermuseumblogs.org/?p=1987#comments</comments>
		<pubDate>Wed, 21 Jul 2010 20:04:18 +0000</pubDate>
		<dc:creator>Nasher Interns</dc:creator>
				<category><![CDATA[News + Events]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[Displacement: The Three Gorges Dam and Contemporary Chinese Art]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[Three Gorges Dam]]></category>

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		<description><![CDATA[By Sam Dalsheimer
Ready to read the blabbing of an unpaid, probably unqualified pseudo-intern? No? Well I&#8217;m gonna write down some of the thoughts I had when walking through the exhibition, &#8220;Displacement: The Three Gorges Dam and Contemporary Chinese Art.&#8221;  I have limited knowledge of Eastern art traditions (next semester&#8217;s seminar [...]]]></description>
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		<title>Direct Line to the Rubber Duckie</title>
		<link>http://nashermuseumblogs.org/?p=1981</link>
		<comments>http://nashermuseumblogs.org/?p=1981#comments</comments>
		<pubDate>Wed, 14 Jul 2010 21:06:38 +0000</pubDate>
		<dc:creator>Wendy</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[contemporary art]]></category>
		<category><![CDATA[Mark Hughes]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>
		<category><![CDATA[records]]></category>
		<category><![CDATA[The Record: Contemporary Art and Vinyl]]></category>
		<category><![CDATA[Vinyl]]></category>

		<guid isPermaLink="false">http://nashermuseumblogs.org/?p=1981</guid>
		<description><![CDATA[The few exciting “artworks” I saw as a child were the covers for records (also fondly known as albums or LPs) that I owned in the ’70s. Growing up in the Australian outback with no local museum or gallery, album covers were a visual connection to a different, exciting, impossible life. Music from a record took me to the outside world in a way our old wireless radio couldn’t.]]></description>
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		<title>Postcards from the museum</title>
		<link>http://nashermuseumblogs.org/?p=1968</link>
		<comments>http://nashermuseumblogs.org/?p=1968#comments</comments>
		<pubDate>Fri, 02 Jul 2010 20:44:55 +0000</pubDate>
		<dc:creator>Nasher Interns</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[Alma Thomas]]></category>
		<category><![CDATA[Color Balance]]></category>
		<category><![CDATA[Felrath Hines]]></category>
		<category><![CDATA[Postcard]]></category>

		<guid isPermaLink="false">http://nashermuseumblogs.org/?p=1968</guid>
		<description><![CDATA[Visitors to the exhibition "Color Balance" are decorating blank postcards with materials in the gallery. They are creating abstract designs inspired by Felrath Hines and Alma Thomas or writing about what they like best in the show. The Nasher Museum staff is mailing the addressed postcards back to their creators. See some of our favorites here.]]></description>
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		<title>All the Little Pieces</title>
		<link>http://nashermuseumblogs.org/?p=1881</link>
		<comments>http://nashermuseumblogs.org/?p=1881#comments</comments>
		<pubDate>Wed, 30 Jun 2010 19:36:56 +0000</pubDate>
		<dc:creator>Nasher Interns</dc:creator>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[classical studies]]></category>
		<category><![CDATA[Nasher Museum of Art at Duke University]]></category>

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		<description><![CDATA[Mr. Severson decided that to stabilize the lekythos and restore its shape he would entirely disassemble the vessel, clean the 34 individual pieces, reassemble them with a stable and safe adhesive, and place infills in two large holes that had threatened the structural integrity of the object.  His tools ranged from the thinnest paintbrushes to cotton swabs, from acetone to acrylic paints.]]></description>
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